The rap on research for the arts, museums, and education

December 22, 2011

Diversity: it's not just an admissions issue anymore

The Obama administration’s new call for universities to increase diversity on campus is probably a welcome one for many schools. After years of court battles over state university admissions policies, centered on the University of Michigan, colleges and universities now have greater clarity about which levers they’re allowed to pull to attract a more ethnically diverse pool of applicants. But what happens when those more diverse classes get to campus?

Much research has been done on the benefits of being in school with a more diverse group of peers. For example, a recent study discussed in the book How College Affects Students notes that exposure to fellow students of diverse backgrounds is one of the key factors influencing whether freshmen return for their sophomore year and whether their experience improves their critical thinking skills. Think about that: more diverse classmates and dorm-mates leads to a more positive, successful undergrad experience.

And our own research for highly selective universities and grad schools has shown that prospects value diversity and take it into consideration when deciding which schools to apply to. When it comes to attracting underrepresented minorities, it certainly helps when they see people who look like them on campus, ideally both students and professors.

That research is echoed in the new guidelines, which were issued jointly by attorney general Eric Holder and education secretary Arne Duncan. "Diverse learning environments," says Holder in the accompanying press release, “promote development of analytical skills, dismantle stereotypes, and prepare students to succeed in an increasingly interconnected world.”

All true. I’m as strong a believer as anyone that greater diversity along all kinds of dimensions — racial, gender, socio-economic, geographic, attitudinal — in higher education is a good thing. What schools need to realize, though, is that with that greater diversity comes a greater need for support for those new members of the student body. Some of our research has shown that students from lower socioeconomic backgrounds, as well as those who are the first generation in their family to attend college, struggle with the demands and format of postsecondary education more than other students do. They’re more likely to have jobs, work more hours, and be less involved in co-curricular activities. In one study, we found that they needed more help from their advisors that other students did — but were less likely to seek out that help. These diverse newcomers can benefit from greater support, whether academic, co-curricular or social, to help them navigate the unfamiliar landscape.

Yet many schools don’t invest in such support programs, in part because they are not aware of those needs and in part because they don’t want to stereotype their new arrivals or treat them differently on the basis of ethnicity. The ideal is a melting pot, whether or not it actually exists.

Of course, those support programs are also an additional expense for the schools. So that well-intentioned reluctance to engage in anything like profiling may also mask a reluctance to spend more on student-life and academic counseling.

Whatever its causes, that reluctance is a shame. If a school embraces increased diversity as a strategic goal, it ought to carry that strategy through to the  students it affects, by acknowledging and meeting their unique needs. It’s also a good long-term decision: supporting underrepresented minorities and first-generation students would likely contribute to higher retention and graduation rates, and that means stronger rankings and better applicant pools. It may be an additional expense, but it makes both ethical and academic sense.

Does your institution support diversity just at the admissions stage, or throughout the student experience?
 


Categories: College admissions & marketing, Higher ed, Student research
Comment  ::  Share This


June 24, 2011

Can we be ‘academically adrift’ while ‘racing to nowhere’?

The recent, gloomy book about our higher education system, Academically Adrift: Limited Learning on College Campuses, has sparked much debate. So has a documentary about high school students desperate to get into good colleges, Race to Nowhere. Put the two together and it starts to look like young people are stressing out and over-achieving in high school to get into the right universities, then not learning much when they get there. Is that true, and if so, how did we get here?

At first, what struck me about the book and the movie was how differently they see the situation. Academically Adrift, a rigorous sociological study written by Richard Arum of NYU and Josipa Roksa of the University of Virginia, assesses the “value added” by undergraduate education in America — in other words, learning outcomes. The story is not a happy one. Based on results from the Collegiate Learning Assessment (CLA), a standardized national instrument designed to measure critical thinking, the authors find that many of our college students have experienced little in the way of measurable learning during their undergrad years. To be specific, almost half of students (45%) showed no significant improvement on the CLA. Not exactly a passing grade for American higher education.

(Whether the CLA actually measures this accurately is a question unto itself. For the moment, let’s take it at face value and assume it does a decent job of assessing critical thinking, analytical reasoning, problem solving, writing, and other skills we want our colleges to teach.)

Then there’s the Race to Nowhere phenomenon. The film, co-directed by Vicki Abeles and Jessica Congdon, has garnered attention through grassroots distribution: screenings at schools followed by discussions among parents and teachers. That’s how I saw it recently at the school one of my children attends. The film tells the stories of high-schoolers pushed to the brink, working extremely hard, anxious about getting into the best colleges, depressed, and eventually burned out.

These kids are many things, but they are not “academically adrift.” They’re learning plenty. But they’re also paying the price for those achievements in areas like health, happiness, and quality of life. They are driven simultaneously to academic success and emotional collapse. 

Now, these are highly motivated, high-achieving students; obviously they don’t represent the full range of high schoolers in America. But with more prospects applying to a greater number of highly selective colleges each year, those colleges are becoming even more selective, and the race is only heating up. Race to Nowhere is a sobering look at an important and growing part of the higher ed ecosystem.

So the book and the film tell very different stories, and the two seem to be in tension with each other. Take the issue of homework (as they call it in high school) and time spent studying (in college). The authors of Academically Adrift noted in a New York Times op-ed that the average college student spends only 12 to 13 hours per week studying, about half of what she spent in 1960. In contrast, the question in high school circles is how to stem the rising tide of homework and give students their lives back a little. Another recent Times article cited Race to Nowhere as one of the catalysts for new policies by school districts to limit the time that students spend on homework. In the film, and in the discussions sparked by it among parents, it’s clear that many grade school and high school students are spending hours every night on homework.

So is the problem too little studying or too much? How can students be spending more time studying in high school than they do in college? And what’s the relationship between the two? ...

Full Post »
Categories: Accountability, Assessment, College admissions & marketing, Higher ed, Learning, Student research
Comments (1)  ::  Share This


March 14, 2011

NEA report #2: Declining arts education, declining audiences

Last week I wrote about one of the three new reports that the National Endowment for the Arts released, each of which looks at the Survey of Public Participation in the Arts through a different lens. Today we’ll turn to Nick Rabkin’s eye-opening analysis of trends in arts education. We all knew the picture wouldn’t be pretty, but…

Rabkin has been studying and working in arts education for many years and knows the territory cold; he’s currently wrapping up a five-year, multi-funder study of the role of teaching artists in schools and other settings. (Full disclosure: Nick’s a friend, and he and I are developing a research project together.) Rabkin and his co-author, E.C. Hedberg, are both at the National Opinion Research Center at the University of Chicago, where Rabkin is also affiliated with the Cultural Policy Center.

Their paper, Arts Education in America: What the Declines Mean for Arts Participation [pdf], dives into two big questions. That there’s less arts education going on in our schools these days is no surprise, but how much less, and for which students? And we’ve known for some time that arts education in childhood is linked to later participation in the arts, but how does the evidence for that link hold up, and what does it imply for arts policy and arts management?

The answers here are pretty grim (my sentiment, not necessarily Rabkin and Hedberg’s). The authors’ ingenious parsing of the SPPA data reveals that arts education rose steadily from the 1930s to the 1970s, which helped create a large national audience for the arts and thereby fueled the terrific growth of the nonprofit arts sector in America: the rise of “a dazzling and diverse collection” of “producing institutions and venues in cities and towns coast to coast.”
 


But, as you can see, something happened in the late-’70s and ’80s, a reversal that’s unusually abrupt for macro-level social change. Who threw the switch? Probably the back-to-basics school reformers, who gathered steam around that time (and who eventually won passage of No Child Left Behind in 1992). They viewed the arts as a luxury, “soft” goods with no direct impact on broader educational outcomes.

The worst part — and for me the real bombshell of the study — is that the declines in childhood arts education since 1982 have been absorbed almost entirely by African American and Hispanic children. If you look only at white respondents to the survey, there’s been some variation but no decline from 1982 to 2008. It’s the non-white communities where the drop has been precipitous. Although the data is inherently sketchy, the authors believe these declines occurred mostly in in-school arts education, not the voluntary, after-school kind (like private music or dance lessons). ...

Full Post »
Categories: Arts participation, Early exposure, Learning, Museums, Performing arts, Research findings, Student research, Survey research
Comment  ::  Share This


January 19, 2011

In the race to test and assess, let's take the time to get it right

This is my first blog post as a research fellow at Slover Linett. Bill invited me to comment on Academically Adrift: Limited Learning on College Campuses, a book that was published this week and has quickly sparked debate. For those of you who don't know me, I work in assessment at Northwestern University and am the principal investigator of the Teagle Assessment Project and other national studies of student outcomes. But enough about me...

My first-grader took an online standardized math assessment for the first time last month. “It was so easy, Mom,” he told me, “Anne and I raced to see who would get done first.” “I can believe that,” said his teacher when she looked at his score during our parent-teacher conference. He had missed some easy questions in his haste, so the test didn’t even offer him the subsequent hard questions, which the teacher knew he was capable of answering correctly. In the world of high-stakes testing, there were no stakes as far as my son was concerned. And the testing instrument didn’t seem to do a good job of measuring what he knew.

This week, a new book based on undergraduates’ scores on an online standardized assessment is receiving a lot of attention in the higher ed world (see The Chronicle of Higher EducationInside Higher Ed, and the NY Times). The sound-byte is that students aren’t learning very much in college. And everyone is to blame: faculty who don’t take teaching seriously enough, presidents and boards and a tenure system that doesn’t reward teaching, colleges that don’t provide challenging curricula, students who prefer partying over studying. The list goes on.

But I have to stop and ask, how good is our ability to measure what students are learning in college? And how motivated are students to show us what they’ve learned when we ask them to do so using a standardized test? ...

Full Post »
Categories: Accountability, Assessment, Higher ed, Learning, Student research
Comments (1)  ::  Share This


April 02, 2010

Lights, camera, admissions!

My colleagues Bill and Peter have posted here about how admissions offices at schools like MIT and Yale are using social media to reach out to prospective students. But wait a minute — who’s reaching out to whom?

University admissions staffs are getting more creative with social media as a marketing tool. As Bill wrote here, MIT is hiring current students to blog about their experiences on the admissions website. And Peter blogged about the 17-minute video musical that Yale students, working with the admissions office, produced to tell prospects why they should chose Yale.

Tufts University, my own alma mater, is also getting in on the action, but in reverse. It invited applicants to create a one-minute YouTube video as an optional “essay,” along with their standard application. The New York Times reported in February that about 1,000 out of 15,000 applicants had posted videos.

Some are earnest monologues shot in messy bedrooms; others are photo montages, original songs, and animations. One prospective student made a remote-controlled helicopter in the shape of the Tufts elephant mascot. Another posted a crafty stop-motion animation that took a week to make and has gotten over 16,000 views on YouTube.

Full Post »
Categories: College admissions & marketing, Higher ed, Institutional personality, Participatory engagement and co-creation, Personal reflections, Social media, Student research
Comment  ::  Share This


February 12, 2010

Letting their hair down, awkwardly

Yale’s already-infamous musical admissions video shows how easy it is for institutions to come across as old fashioned even when they’re using new media.

Billed as an “independent an independent collaboration between Yale undergraduates and recent alumni working in the admissions office,” the 17 minute video is a slickly-produced, peppy campus musical number in which students sing and dance answers to the question that all college recruitment videos (and viewbooks and brochures) are meant to answer: it’s titled “That’s Why I Chose Yale.”
 


The Gawker took its swings shortly after the video was released in mid January, and a post at IvyGate was titled “That’s Why I Chose to Ram a Soldering Iron Into My Ears.” At some point the university felt it prudent to disable the ratings and comment features on YouTube.

This week even the New Yorker couldn’t restrain itself from jumping on the pileup, running a “Talk of the Town” piece about the embarrassed giggles and cringing bewilderment of Yale alumni who have seen the video...although some of them couldn’t bear to watch the whole thing.

Wait a minute. Isn’t this the very prescription for success in the YouTube era? The video was a participatory creative act rather than a top-down fiat. It let the students speak — okay, sing — for themselves about the university, not unlike MIT’s pioneering student blogs on its admissions page (which my colleague Bill wrote about in a recent post). It uses contemporary media to meet its audiences on their own turf. It delivers its message with energy and enthusiasm, avoiding the rationalist trap into which so many educational and cultural marketing efforts fall. And it’s an innovation, a risk: just what the doctors have been ordering.

So what’s wrong with this (motion) picture?

Full Post »
Categories: Culture sector, Engagement, Higher ed, Institutional personality, Museums, Performing arts, Social media, Student research
Comments (5)  ::  Share This


December 30, 2009

The accountability movement

I was recently asked by a colleague of mine to guest lecture at a seminar in higher education administration that he teaches. I’ve done this before and always enjoyed it, and I like to think I have something worth sharing after all those years in institutional research (including my recent experience on the consulting side). His students are refreshingly idealistic: they really aspire to have an impact on the way higher education works and how it benefits society.

But they often also have a big impact on me. That was the case in my most recent experience.

During the seminar, we discussed the various accountability efforts that are currently underway in higher ed, such as the College Portrait component of the Voluntary System of Accountability (VSA) effort at land-grant colleges and universities, and the University and College Accountability Network (U-CAN) among independent colleges and universities.

Full Post »
Categories: Assessment, Higher ed, Learning, Student research
Comments (1)  ::  Share This


About Us

We’re a Chicago firm that helps museums, arts organizations, and universities take a fresh look at their audiences and discover new ways to deepen the connection and broaden participation. More »

About this Blog

Asking Audiences explores the fast-changing landscape in which cultural and educational organizations meet their publics. What does relevance look like today? More »



Subscribe via RSS
Subscribe via Email

Blogs we love

Higher Ed
Blog U (Inside Higher Ed)
Chronicle of Higher Education
The College Puzzle (Michael Kirst)
Educated Nation
mStoner (Michael Stoner et al.)

Arts & Culture
Artful Manager (Andrew Taylor)
Createquity (Ian David Moss)
CultureGrrl (Lee Rosenbaum)
Jumper (Diane Ragsdale)
Life’s A Pitch (Amanda Ameer)
NAMP Radio (monthly podcasts)
Real Clear Arts (Judith Dobrzynski)

Museums
Future of Museums (Elizabeth Merritt)
ExhibitFiles
ExhibitTricks (Paul Orselli)
Expose Your Museum (Kathleen Tinworth)
Museum 2.0 (Nina Simon)
Museum 3.0
The Uncataloged Museum (Linda Norris)

Performing Arts
About Last Night (Terry Teachout)
Sandow (Greg Sandow)
Theater Loop