The rap on research for the arts, museums, and education

December 22, 2011

Diversity: it's not just an admissions issue anymore

The Obama administration’s new call for universities to increase diversity on campus is probably a welcome one for many schools. After years of court battles over state university admissions policies, centered on the University of Michigan, colleges and universities now have greater clarity about which levers they’re allowed to pull to attract a more ethnically diverse pool of applicants. But what happens when those more diverse classes get to campus?

Much research has been done on the benefits of being in school with a more diverse group of peers. For example, a recent study discussed in the book How College Affects Students notes that exposure to fellow students of diverse backgrounds is one of the key factors influencing whether freshmen return for their sophomore year and whether their experience improves their critical thinking skills. Think about that: more diverse classmates and dorm-mates leads to a more positive, successful undergrad experience.

And our own research for highly selective universities and grad schools has shown that prospects value diversity and take it into consideration when deciding which schools to apply to. When it comes to attracting underrepresented minorities, it certainly helps when they see people who look like them on campus, ideally both students and professors.

That research is echoed in the new guidelines, which were issued jointly by attorney general Eric Holder and education secretary Arne Duncan. "Diverse learning environments," says Holder in the accompanying press release, “promote development of analytical skills, dismantle stereotypes, and prepare students to succeed in an increasingly interconnected world.”

All true. I’m as strong a believer as anyone that greater diversity along all kinds of dimensions — racial, gender, socio-economic, geographic, attitudinal — in higher education is a good thing. What schools need to realize, though, is that with that greater diversity comes a greater need for support for those new members of the student body. Some of our research has shown that students from lower socioeconomic backgrounds, as well as those who are the first generation in their family to attend college, struggle with the demands and format of postsecondary education more than other students do. They’re more likely to have jobs, work more hours, and be less involved in co-curricular activities. In one study, we found that they needed more help from their advisors that other students did — but were less likely to seek out that help. These diverse newcomers can benefit from greater support, whether academic, co-curricular or social, to help them navigate the unfamiliar landscape.

Yet many schools don’t invest in such support programs, in part because they are not aware of those needs and in part because they don’t want to stereotype their new arrivals or treat them differently on the basis of ethnicity. The ideal is a melting pot, whether or not it actually exists.

Of course, those support programs are also an additional expense for the schools. So that well-intentioned reluctance to engage in anything like profiling may also mask a reluctance to spend more on student-life and academic counseling.

Whatever its causes, that reluctance is a shame. If a school embraces increased diversity as a strategic goal, it ought to carry that strategy through to the  students it affects, by acknowledging and meeting their unique needs. It’s also a good long-term decision: supporting underrepresented minorities and first-generation students would likely contribute to higher retention and graduation rates, and that means stronger rankings and better applicant pools. It may be an additional expense, but it makes both ethical and academic sense.

Does your institution support diversity just at the admissions stage, or throughout the student experience?
 


Categories: College admissions & marketing, Higher ed, Student research
Comment  ::  Share This


January 06, 2011

The happiness curve and alumni engagement

In the airport with my family over the holidays, I ran into a newsstand to pick up some things for our flight. There on the rack, the cover of The Economist caught my eye: “The joy of growing old (or why life begins at 46).” Being 46 at the moment, of course I bought it.

I thought the article might feature tips relevant to us mid-lifers, like how to prevent your knees from hurting when you hike, or how to remember what you walked into the kitchen for. What I found was something a little bigger-picture, something surprisingly related to my work with colleges and universities.

The not-particularly-happy news about happiness, according to the studies cited in the article, is that, in cultures around the world, people tend to start out happy and get increasingly less so, until they hit a collective rock bottom at age 46. Ouch.

The good news is that, as people continue to age, they report feeling happier and happier until their mid-80s, when (on average) they’re happier than they’ve ever been.

As I stared at the U-shaped chart, pondering all the ways I might feel happier in the future, I realized that I’ve seen this same graph before in our research with alumni.

Alumni tend to stay involved with their school for the first few years after graduation. But then engagement drops, bottoming out with alums in their 40s. It then begins to rise, with greater engagement and positive feelings as they age into retirement.

Common sense and our own research suggest that alums in their 40s are the most time-starved cohort, with jobs, kids, houses, and 401Ks taking up time and energy. So they have less time to devote to life’s optional commitments, like alumni events and class reunions. The Economist article made me wonder how happiness factors into the equation. If you don’t feel particularly good about your life, are you less likely to want to connect with your school and fellow alums? ...

Full Post »
Categories: Demographics, Engagement, Fundraising, Higher ed, Research findings
Comments (5)  ::  Share This


January 15, 2010

Say it ain’t so, statistician

I’m just getting to a recent book about the buying and selling of scientific “truth,” and it’s enough to make a grown researcher cry. Any lessons for us in the culture and higher ed crowd?

Unfortunately, yes. Doubt is Their Product: How Industry's Assault on Science Threatens Your Health by David Michaels, an epidemiologist who last month became Obama’s OSHA chief, is an infuriating look at big industry’s manipulation of scientific evidence to derail or delay safety regulations. Think cigarettes, lead, asbestos, or remember Silkwood and Erin Brockovich.

The book’s title refers to an infamous 1969 memo from a Brown & Williamson tobacco executive who wrote that, "Doubt is our product, since it is the best means of competing with the ‘body of fact’ that exists in the mind of the general public. It is also the means of establishing a controversy."

The companies and their mercenary scientific henchmen didn’t need to work too hard to find uncertainties to exploit, since doubt and uncertainty are built into the scientific method. (The physicist Richard Feynman called doubt the essence of science.) Real science is about disproving hypotheses, and there are always outlier data, competing explanations, and marginal numbers requiring interpretation. Research is supposed to be empirical and objective, but deciding what counts as knowledge – the process of scientific consensus-building by which we decide what it is we know – is messy and human.

Why does this hit home for us researchers in the arts and education? Well, the science we do is social science, but the statistical and interpretive questions are similar. The advocacy impulse in our world may be socially positive, but it’s still an advocacy impulse and has to be kept from influencing our empirical findings about how audiences think, feel, and act.

Full Post »
Categories: Advocacy, General, Higher ed, Museums, Performing arts, Research issues, Survey research
Comment  ::  Share This


January 06, 2010

“Engagement” is ready for prime time

One of President Obama’s early changes at the White House was turning the institutionally-flavored Office of Public Liaison into the Office of Public Engagement. I’ll nominate that as word of the year.

According to a White House press release, the mission of the renamed office will be to “serve as the front door to the White House through which ordinary Americans can participate and inform the work of the President.”

So the Obama team, famous during the 2008 campaign for its ability to read and respond to the national sentiment, has intuited the relationship people now want to have with the institutions in their lives: more active than passive, more participatory than receptive.

For cultural nonprofits and educational institutions, “engagement” is the new watchword. Leaders use it almost religiously. And I’ll bet that the changes it connotes – esepecially the idea that institutions need to work at being...well, engaging, and that it’s about two-way relationships rather than one-way communication – won’t be just a passing trend. Engagement is here to stay.

But what does it really mean for a college, a ballet company, or a science museum? How can we tell whether it’s happening, and for whom? How do we quantify it and track its growth?

Full Post »
Categories: Engagement, General, Higher ed, Museums, Performing arts
Comment  ::  Share This


December 14, 2009

Back to the elephant

Peter and Sarah fly to Washington this week to present findings to the Smithsonian's National Museum of Natural History. All of us are excited about the evaluation and what we've learned from visitors. But for me the project feels larger-than-life because now, at the age of 45, I find myself working with the museum I loved more than any other as a kid.

My family wasn't big on museums; my parents were dedicated suburbanites who shied away from cities, which ruled out many of the usual options.  But we did take a family vacation to Washington,  DC when I was about nine, and the Smithsonian was at the top of the agenda.

My most vivid memory of Natural History, oddly enough, is of my father being worried that we wouldn't get a table at the museum's vast cafeteria (the very place where we'll be conducting interviews with visitors in a few weeks).  He took the uncharacteristic risk of leaving me in charge of my two younger brothers while he disappeared into the sea of tables to wait in the distant lunch line.  As we waited, I felt a welling sense of responsibility and adultness, and that sense stayed with me as we explored the exhibits after lunch.

My memories of the exhibits are less concrete, with the exception of that huge elephant standing proudly in the lobby.  I recall thinking (or rather, feeling) that this was a place where new things can happen, where people can change. If there was a little risk involved, there was also an urgency and excitement. The cumulative effect of all the gems and minerals, the fossils and skeletons, and the dioramas wasn't just awe at nature's breadth and beauty.  It was also a sense that this museum was about who we can become, about surprising ourselves.

Hats off to a great museum for inspiring this kid for life.


Categories: Child audiences, Early exposure, Museums, Natural history, Personal reflections
Comments (1)  ::  Share This


About Us

We’re a Chicago firm that helps museums, arts organizations, and universities take a fresh look at their audiences and discover new ways to deepen the connection and broaden participation. More »

About this Blog

Asking Audiences explores the fast-changing landscape in which cultural and educational organizations meet their publics. What does relevance look like today? More »



Subscribe via RSS
Subscribe via Email

Blogs we love

Higher Ed
Blog U (Inside Higher Ed)
Chronicle of Higher Education
The College Puzzle (Michael Kirst)
Educated Nation
mStoner (Michael Stoner et al.)

Arts & Culture
Artful Manager (Andrew Taylor)
Createquity (Ian David Moss)
CultureGrrl (Lee Rosenbaum)
Jumper (Diane Ragsdale)
Life’s A Pitch (Amanda Ameer)
NAMP Radio (monthly podcasts)
Real Clear Arts (Judith Dobrzynski)

Museums
Future of Museums (Elizabeth Merritt)
ExhibitFiles
ExhibitTricks (Paul Orselli)
Expose Your Museum (Kathleen Tinworth)
Museum 2.0 (Nina Simon)
Museum 3.0
The Uncataloged Museum (Linda Norris)

Performing Arts
About Last Night (Terry Teachout)
Sandow (Greg Sandow)
Theater Loop