Email Catherine
P. 773 348 9217

Catherine Jett

Research Analyst


Research Analyst Catherine Jett designs and conducts audience research for our cultural and educational clients, turning data into insights that guide program development, marketing, fundraising, and other engagement initiatives. She has collaborated on projects for Columbia University, the Chicago Symphony Orchestra, the Chicago Department of Cultural Affairs and Special Events, and the Museum of Contemporary Art San Diego, among others.

Catherine started as a research assistant at Slover Linett in 2009. Before that, she earned her stripes in nonprofit marketing at the National Safety Council and in grant-making at the Rotary Foundation, the charitable arm of Rotary International, one of the largest membership organizations in the world. At Rotary, Catherine worked on humanitarian projects in the US and Mexico.

Fluent in Spanish, Catherine has studied in both Mexico and Spain. Before joining Slover Linett, she spent several months traveling by bicycle in France and volunteering on family-run organic farms. She also lived in Jerusalem, where she commuted to Bethlehem to help a small nonprofit write grants to fund youth programs.

Catherine graduated magna cum laude from Tufts University with a BA in Spanish and women’s studies. She was a National Merit Finalist.

re:search newsletter

More info

Keep in touch. Sign up for our monthly e-newsletter, re:search, and be the first to know about our reports, articles, professional dialogues, and more.

Our blog. Your comments. Jump in.

January 16, 2012 | Peter

In the arts, audience-centered business models start with the art, not the business

 »

In my last post, I asked where the consumers are in the Colorado symphony’s new “customer-driven” business model and promised a few examples of ways arts groups are getting audiences into the picture a little more creatively. It’s about not thinking of them as consumers or audiences in the first place, but as collaborators.

More »

My blog posts »

On my nightstand. A hodgepodge: about three months' worth of New Yorker magazines, a classic instructional book about stretching, the novel Let the Great World Spin, Clary Illian's A Potter's Workbook, and The Man Who Mistook His Wife for a Hat by neurologist Oliver Sacks.

Hidden talent. I've been making things out of clay on-and-off for the past five years, producing a mix of functional and sculptural objects. I love having complete creative control and experimenting with different techniques, yet I'm continually amazed that every form I imagine has been made before by another potter.

Fun fact. One of the farms I lived on in France had artisanal cheese as its primary product. Three times a week I spent a couple hours in the cheese cellar wiping each round down with salt water and flipping it over. It was stinky! (But the end product was delicious.)